| Throughout the world, every culture has developed its own myths about the origin of the universe and how it was shaped. These creation myths differ magnificently, each reflecting the environment and society from which it originated. In Iceland, it is the volcanic and meteorological forces that form the backdrop to the birth of Imit, but according to the Yoruba of West Africa it is the familiar hen and pigeon that give rise to solid land. Nevertheless, all these unique creation myths have some features in common. Whether it is the big, blue, bruised Wulbari or the dying giant of China, these myths inevitably invoke at least one supernatural being to play a crucial role in explaining the creation of the universe. Also, every myth represents the absolute truth within its society. The word 'myth' is derived from the Greek word mythos, which can mean 'story' but also means 'word' in the sense of 'the final word'. Indeed, anybody who dared to question these explanations would have laid themselves open to accusations of heresy. Nothing much changed until the sixth century BC, when there was a sudden outbreak of tolerance among the intelligentsia. For the very first time, philosophers were free to abandon accepted mythological explanations of the universe and develop their own theories. For example, Anaximander of Miletus argued that the Sun was a hole in a fire-filled ring that encircled the Earth and revolved around it. Similarly, he believed that the Moon and stars were nothing more than holes in the firmament, revealing otherwise hidden fires. Alternatively, Xenophanes of Colophon believed that the Earth exuded combustible gases that accumulated at night until they reached a critical mass and ignited, thereby creating the Sun. Night fell again when the ball of gas had burned out, leaving behind just the few sparks that we call stars. He explained the Moon in a similar way, with gases developing and burning over a twenty-eight-day cycle. The fact that Xenophanes and Anaximander were not very close to the truth is unimportant, because the real point is that they were developing theories that explained the natural world without resorting to supernatural devices or deities. Theories that say that the Sun is a celestial fire seen through a hole in a firmament or a ball of burning gas are qualitatively different from the Greek myth that explained the Sun by invoking a fiery chariot driven across the sky by the god Helios. This is not to say that the new wave of philosophers necessarily wanted to deny the existence of the gods, rather that they merely refused to believe that it was the divine meddling that was responsible for natural phenomena. These philosophers were the first cosmologists, inasmuch as they were interested in the scientific study of the physical universe and its origins. The word 'cosmology' is derived from the ancient Greek word kosmeo, which means 'to order' or 'to organise' reflecting the belief that the universe could be understood and is worthy of analytical study. The cosmos had patterns, and it was the ambition of the Greeks to recognise these patterns, to scrutinise them and to understand what was behind them. … Pythagoras of Samos helped to reinforce the foundations of this new rationalist movement from around 540 BC. As part of his philosophy, he developed a passion for mathematics and demonstrated how numbers and equations could be used to help formulate scientific theories. One of his first breakthroughs was to explain the harmony of music via the harmony of numbers. The most important instrument of music in early Hellenic music was the tetrachord, or four-stringed lyre, but Pythagoras developed his theory by experimenting with the single-stringed monochord. The string was kept under a fixed tension, but the length of the string could be altered. Plucking a particular length of string generated a particular note, and Pythagoras realised that halving the length of the same string created a note that was one octave higher and in harmony with the note from the plucking of the original string. In fact, changing the string's length by any simple fraction or ratio would create a note harmonious with the first (e.g. a ratio of 3:2, now called a musical fifth), but changing the length by an awkward ration (e.g. 15:37) would lead to discord. Once Pythagoras had shown that mathematics could be used to help explain and describe music, subsequent generations of scientists used numbers to explore everything from the trajectory of a cannonball to chaotic weather patterns. Wilhelm Roentgen, who discovered X-rays in 1895, was a firm believer in the Pythagorean philosophy of mathematical science, and once pointed out: 'The physicist in preparing for his work needs three things: mathematics, mathematics and mathematics'. ... Pythagoras' successors built on his ideas and improved on his methodology. Science gradually became an increasingly sophisticated and powerful discipline, capable of staggering achievements such as measuring the actual diameters of the Sun, Moon and Earth, and the distances between them. These measurements were milestones in the history of astronomy, representing as they do the first tentative steps on the road to understanding the entire universe. | — Simon Singh, Big Bang: The Origin of the Universe | Indexes/21 |
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